The Taming of the Shrew.
12-13-14 & 16-17-18 June 2026 at TheaterArche
Performed in French with English surtitles

In June 2026, LAB’ORATOIRE took on Shakespeare for the first time with a bold, explosive and resolutely contemporary Taming of the Shrew.
Across six performances at TheaterArche, the production brought audiences of all generations together around a Shakespeare that was alive, popular and unapologetically theatrical. Full houses, laughter, reactions, standing ovations and a close relationship with the audience made every performance a different experience.
What Our Audience Took Away
Throughout the run, audience feedback particularly highlighted the energy of the ensemble, the quality of the performances, the humour, and the production’s visual world. Costumes, rhythm, and physical performance all contributed to making this Shrew a generous and unapologetically lively theatrical experience.
Several audience members also responded to the production’s feminist reading of the play, while others were discovering Shakespeare — or even theatre in Vienna — for the first time. French- and English-speaking audiences, seasoned theatregoers and newcomers alike: beyond language, it was above all the collective energy of the production that seemed to connect with audiences.
Credit Photos: Armin Bardel
the shrew in numbers
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6 performances
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Multiple sold-out performances, with full houses through to the final show
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500+ audience members across generations, French- and English- speaking
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1.15M+ viewsof the trailer across social media
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25+ costume changesper performance
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50+ propsused on stage
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15+ transformations across make-up, hair & wigs
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2 weddings · 1 banquet · 3 suitors
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0 shrews tamed!
Who
tamed
Who?
Our first encounter with Shakespeare embodied what we want classical theatre to be: not something preserved behind glass, but something alive; full of energy, humour, contradiction and theatricality, and open to as wide an audience as possible.
Thank you to everyone who shared this adventure with us, on stage, behind the scenes and in the audience.
The Shrew has taken its final bow. The next chapter is already being written.

La Mégère "apprivoisée"
The Taming of the Shrew
W. Shakespeare
Discover a bold and explosive reinterpretation of Shakespeare’s most controversial comedy.
PERFORMED IN FRENCH,
SURTITLED IN ENGLISH.
Dates: 12, 13, 14*, 16, 17, 18 June 2026 at 19h
*Sunday 14 June at 16h
Suitable for all ages
Location: TheaterArche, Münzwardeingasse 2a, 1060 Vienna
Tickets:
- Regular Tickets: 22 €
- Concessions (students, under 18, seniors, people with disabilities): 17 €
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About the Play
In Padua, marriage is not a matter of the heart, but of strategy. Bianca’s grow impatient, but her father is firm: no one will marry her until her elder sister, Katherina - the fierce and much-feared “shrew” - finds a husband. Enter Petruchio, bold and provocative determined to take on the challenge. But in Padua, everyone is playing a part, masks come off, and women may yet begin to write their own rules.
In a world where everything seems decided in advance, who is really in control?
Who tames whom?
About the Author
Shakespeare (1564-1616) is widely regarded as one of the greatest playwrights in world literature. An actor and writer in London’s theatre world, he was a leading member of the King’s Men, one of the most prominent acting companies of his time. His work spans tragedies, comedies, and histories, exploring power, identity, love, conflict, and human contradiction with unmatched linguistic inventiveness and dramatic insight.
The Taming of the Shrew, written in the early 1590s, remains one of Shakespeare’s most debated comedies. Its sharp humour, troubling gender dynamics, and theatrical energy make it especially open to reinterpretation. The play stages questions of gender, power, and performance so vividly that it continues to challenge audiences and inspire new readings. More than four centuries later, Shakespeare’s work still invites us to question, laugh, argue, and see familiar truths in unexpected ways.
For a production like ours, Shakespeare is not a monument to be admired from a distance, but a living text to be interrogated, challenged, and reinvented. His plays continue to be performed, translated, and reimagined across the world because they speak so vividly to the structures, desires, and contradictions that still shape our lives today.






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About the Production
Our aim is clear: to bring Shakespeare back to life in its original spirit, not as dry literature to be studied, but as living theatre made for an audience. A space of rhythm, laughter, cries, colour, bold characters, and unapologetic drama. We want to challenge the idea that classics are distant or outdated. Our production restores the raw vitality of Elizabethan theatre while engaging with our present reality; our struggles, relationships, and contradictions.
This Shrew is bold, noisy, playful, and daring: a collision of past and present. We are not here to tame Shakespeare, but to unleash him. With surtitles in modern English, our international ensemble invites everyone - from lifelong theatre lovers to first-time audiences - to rediscover the classics as they were meant to be; bold, collective, and for the people!
OUR ARTISTIC TEAM
CAST
Ilias Aguenaou: Lucentio / Curtis
Adriano Barbieri Lautenschlager: Philippe
Marwan De Midar: The Lord / Batista
Laïla Dine: Katerina
Marc Javin: Grumio
Hawa Kebe: Vincentia
Marcin Kranz: Lute Player
Geoffrey Lanau: Hortensio
Charlotte Lebrun: Gremia
Julija Pitzek: Bianca
Maëlys Prompsy: Biondella
Ludwig Psenner: Concierge
Laura Sánchez Lara: The Pedant
Alba Sanz de Lara Gil: Nataniel
Anna-Sanziana Beschia: The Tailor / The Widow
Enzo Visca: Sly / Petruchio
Thibo Wannebroucq: Tranio
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WITH THE SUPPORT OF




PRODUCTION TEAM
Directors
Laïla Dine & Enzo Visca
Scenography
Laïla Dine & Enzo Visca
Costumes
Laïla Dine & Enzo Visca
Hair & Makeup
Martina Margaretha Reitinger
Lighting Design
Camille Drain
Original Score
Leonardo Dessi
Sound Design
Etienne Decreuse
Sound Management
Safaa Smidi
Translation & Surtitles
Maëlys Prompsy
Surtitle Operator
Rose Bruhnes
Stage Assistant
Anastasia Gromova-Schneider
Photography
Paco Bernal





































































































































































